Moments Burned into the Mind and Negative
“MOVE OUT OF THE FUCKING WAY!” is exactly what I remember the officer shouting at me as I made this photograph. The expression...
What Can it Mean to Truly Collaborate as a Photography Collective?
The ability for individual photographers to have any kind of cultural impact feels diminished and diluted when you consider...
Producing BARDO: The Summer of ‘20 with Affinity Publisher
From April to August 2020 I, and a group of three other photographers (David Babaian, Andrew Blowers, Sagar Kharecha), documented...
Proving Grounds
Until only a few days ago, everything we’ve worked on as a collective since our foundation in 2019 has been pretty much hypothetical....
Working the Scene from Four Different Perspectives: Protest Photography
Expressions of civil unrest have provided many opportunities for photographers to capture the energetic, emotional scenes...
Why I used One Camera, One Lens, One Film for Five Months
Photography is close to impossible to do without a camera, so why do so many of us both love and hate the equipment side...
The Summer of '20 Zine: Curation Session
On Sunday 4th October, 2020, the four of us met in Islington to work on selecting and sequencing photographs for the project...
How I Describe the World to myself to Improve my Street Photography
One of the best exercises for street photography I ever adopted was to focus my internal monologue into a process of constantly...
The Honesty in Film Photography
After some recent discussions with my peers, I’ve started to feel that “honesty” is an underrated quality in many genres...
Prioritizing Concept Over Aesthetic in Street and Social Documentary Photography
There seems to be a trend in current photography goals to achieve a “look” to one’s work. I feel this is a short-sighted...
The Original NEG Call to Action Email
On July 20th, 2019 the below proposal was attached to an email which was sent out for the first time to five photographers,...